12~21~99
t minus 10 and counting
     Criminey, fiddle sticks, and other curses of the sort spewed from my mouth as if from the very maws of Hell.  The ride back from Baldwin Park to the Valley takes me careening across not one, two or even three deadly L.A. freeways but five!  I take to the journey undaunted, knowing that my Wisconsin license plates are a screeching beacon of terror to all others on the road.  "Wisconsin," the word rolls off their lips like a lead anchor from the prow of the ship, it drops and smashes sharply against their genitalia.  The foreign-ness of the place and name, both, terrify their better freeway sensibilities.  In the back of their minds lies a kernel of knowledge holding within the sweet meats of Wisconsin folklore and names like Guien and Dahmer and The Fonz.  In Hollywood they fear Jo McCarthy is behind the wheel looking for trouble, but in the rest of California and especially on L.A. freeways, the horror is about inexperience.  An inexperience that conjures up images of tractor driving inbreds and cow raping pick-up truck drunks.  They give me a wide berth as I intrusively v-line across five lanes of traffic for the exit to yet another freeway and whole new batch of motorists to descend upon. 
If there is a moment of leisure that allows for a chance to take my eyes off the pandemonium of lane changes, flashing lights, sudden stops and starts and blind curves, then the view before me is magnificent.  A garden of billboards, neon, blow up Santas, rivers of red break light lava flows and molten headlight gold streams rising up and falling down the sides of mountains far off into the valleys and canyons the five different freeways sweep through and loop around.  Blinking points of light line the streets and climb the palm trees, ever twinkling  through the blanket of smog rolling in to fill the recesses between mountain peaks.  Orange roiling clouds of pollutants drift down from the sky and cascade over the foothills to give a ghostly presence to every shimmer and glitter twenty yards ahead.  But the moments to take this in are few.  When they come they disrupt the yuletide of cursing freely flowing from my mouth and through my head.  The moments remind me that, yes, even though I live in a cess pool of human filth, garbage, debris and where art has met its penultimate corruption into expressions of dollar signs rather than will and though the air is hard to breath and the dusty ground is tough to appreciate and although this many humans were never meant to live in a desert and suck up the resources from the homes of others thereby destroying not just one ecosystem, the moment reminds me, despite all that, that there is a faint glimmer, a flash of beauty. 
Of course that beauty is not enough to justify environmental destruction and artistic corruption, but it still is enough for me to reverse my condemnation and lift my wish for the ugly festering mass to shake, rattle, burn and roll into the sea.  At least until I move back to the delightful home of McCarthy, Dahmer and Guien.  Oh yeah, and Fonzie. 

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